Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, August 7, 2011

Celebrity Encounter: Warhol meets Dalí


Photographer David McCabe remembers the artists' first meeting:
"I went with Andy to see Dalí at the St. Regis Hotel. Dalí used to paint his suite at the St. Regis. He was working on two enormous paintings at the time. He greeted us at the door, ordered up all sorts of lavish room service - bottles of wine and so on - and that was that. After "Hello, welcome to my humble atelier for the fabrication of dollars" or whatever folderol Dalí was putting out that day, Dalí and Andy barely said another word to each other. It was not possible. The music was playing so loudly. He had grand opera blasting at ear-splitting level. To add to the chaos, Dalí had picked up a stray cat on the street. It was wild, totally feral, and it was bouncing off the walls, bouncing off his paintings, careening off everything in the room. Dalí would grab it and try to hold it, but he'd have to let it go because it was trying to claw him. Dalí was in shock, I think, because he loved cats. It was a hair-raising situation. Andy was just stunned. It was the first time I'd seen Andy drink. He was slugging back white wine. Dalí turned the whole event into theater, and Andy wasn't theatrical in that way. At one point Dalí grabbed this elaborate Inca headdress that he had been using as a prop - you can see its outline in that painting behind him - and put the headdress on Andy. He positioned himself very melodramatically behind Andy still wearing the silly-looking headdress, glared into the camera, and gestured wildly with his walking stick. A total Dalí performance. Theater of the Absurd. Gala drifted in and out. At one point, I remember Dalí gesturing to her menacingly with his walking stick, as if to say that she shouldn't be in the photograph.
Dalí took over the situation outrageously. He just staged the whole thing. Andy was petrified. He sat there frozen, like a statue, utterly speechless. He couldn't have spoken anyway, because the volume of the music was so loud. An ingenious way Dalí had perhaps devised to avoid having to talk to anyone. But of course with Andy he needn't have worried. Andy wouldn't have said anything anyway."








(Photos by David McCabe.)

Saturday, June 18, 2011

Images of A Woman


The Beatles arrived in Tokyo on June 29th, 1966. They had received death threats before the trip to Japan and were advised not to leave their hotel, the Tokyo Hilton. Paul and Mal Evans took a walk around the Imperial Palace and John visited the Oriental Market and Asahi Gallery, but other than that they stayed in the hotel room all day until it was time for their concert at the Budokan Hall.

Sheer boredom prompted them to begin painting what is now known as "Images of A Woman." Over a course of two nights they all collaborated on the painting, which was on paper and paints provided by their Japanese promoter, Tats Nagashima. The paper was 30 inches by 40 inches and was placed on a table with a lamp at the centre. Working by the light of the lamp, each of the Beatles decorated their own corner of the paper with oil paints and watercolours. Paul's corner had a symmetrical, psychedelic feel, while John's had a dark centre surrounded by thick oils. George's part of the picture was large and colourful, and Ringo's was cartoon-like. When the lamp was removed from the table, it left a white circle in the middle of the painting, which was signed by all four of the Beatles.

Tats Nagashima suggested that the finished painting be sold for charity, and it was purchased by cinema manager and fan club president Tetsusaburo Shimoyama. In the mid-1990s the painting was reportedly sold to a dealer in Osaka for ¥ 15 million. In 2002 the painting changed hands again, when the Internet auction site eBay offered it for sale. In May that year the Liverpool Echo reported that the painting was expected to sell for over £350,000 and quoted an eBay spokesman: "We certainly believe this picture is as great as Picasso's and Van Gogh's, although the quality is completely different. And it is not too much to regard 'Images of a Woman' as the one and only Beatles' painted picture in the world."
















(Photos scanned by me from Eight Days A Week. Taken by Robert Whitaker. Info from Eight Days A Week and Sing My Heart, Speak My Mind.) 

Monday, April 25, 2011

A Fool and His Money

The Fool was a Dutch design collective in the late '60s that specialized in psychedelic style. They designed clothes, and painted just about anything - like murals, album covers, movie sets, and instruments. The Fool became quite popular with famous talents such as the Beatles, Cream, the Hollies, the Move, and Procol Harum. Models of their clothing included the Boyd sisters and, on one occasion, Raquel Welch. Murals were painted for the Beatles' Apple Boutique and Aquarius Theatre where Hair was first performed. 

The Aquarius Theatre (world's largest mural at the time)







 
Mural on the Apple Boutique


The Beatle girls






Magical Mystery Tour 

Our World international broadcast



Sgt. Pepper's Lonely Hearts Club Band inner sleeve

Cream








A replica of John Lennon's Gibson



George and Pattie Harrison's Kinfauns fireplace



 Procol Harum


Raquel Welch





Set design for Wonderwall


 (Title from "Come and Get It" by Badfinger.)